Dayton's Bluff Book Club: 2025-2026 Books

Born in 1961 in war-torn Laos, Tswb's childhood was marked by the violence of America's Secret War and the CIA recruitment of the Hmong and other ethnic minorities into the lost cause. By the time Tswb was a teenager, the US had completely vacated Laos, and the country erupted into genocidal attacks on the Hmong people, who were labeled as traitors. Fearing for their lives, Tswb and her family left everything they knew behind and fled their village for the jungle. Perpetually on the run and on the brink of starvation, Tswb eventually crossed paths with the man who would become her future husband. Leaving her own mother behind, she joined his family at a refugee camp, a choice that would haunt her for the rest of her life. Eventually becoming a mother herself, Tswb raised her daughters in a state of constant fear and hunger until they were able to emigrate to the US, where the determined couple enrolled in high school even though they were both nearly thirty and worked grueling jobs to provide for their children. Now, her daughter, Kao Kalia Yang, reveals her mother's astonishing saga with tenderness and clarity, giving voice to the countless resilient refugees who are often overlooked as one of the essential foundations of this country.

A young girl reckons with the demolition of a Black Saint Paul neighborhood to make way for the Interstate in the early 1960s When thirteen-year-old Zenobia has to leave her friends and spend the summer at Grandma's while Mama recovers from a stroke, life seems so unfair. But then the eviction letters start arriving throughout her grandparents' neighborhood, and white men chalk arrows to mark the gas and water lines, and a new world of unfairness unfolds before her. It's 1963, and Zenobia's grandparents' house on Rondo Avenue in Saint Paul--like all the homes in this thriving Black community--is targeted for demolition to make way for the new Interstate Highway 94.   As Zenobia gradually learns about what's planned for the Rondo neighborhood and what this means for everyone who lives there, she discovers how her story is intertwined with the history of her family, all the way back to Great Grandma Zenobia and the secrets Grandma Essie held close about the reason for her light skin. With the destruction of the neighborhood looming, Zenobia takes a stand on behalf of her community, joining her no-nonsense neighbor, onetime cowgirl Mrs. Ruby Pearl, in a protest and ultimately getting arrested. Though Zenobia is grounded for a month, her punishment seems of little consequence in comparison to what is happening all around her. Even though the demolition continues, she is proud to discover the power and connection in protesting injustice.

In formally adventurous stories rooted in Zambian literary tradition, Obligations to the Wounded explores the expectations and burdens of womanhood in Zambia and for Zambian women living abroad. The collection converses with global social problems through the depiction of games, social media feuds, letters, and folklore to illustrate how girls and women manage religious expectation, migration, loss of language, death, intimate partner violence, and racial discrimination. Although the women and girls inhabiting these pages are separated geographically and by life stage, their shared burdens, culture, and homeland inextricably link them together in struggle and triumph.

NATIONAL BESTSELLER * From the award-winning author of the Cash Blackbear series comes a compelling novel of a Native American woman who learns of the disappearance of one of her own and decides enough is enough. A WASHINGTON POST AND BOOK RIOT BEST BOOK OF THE YEAR All they heard was her scream. Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she's never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring. Things are different now for Quill than when she was a lonely girl. Her friends Punk and Gaylyn are two women who don't know what it means to quit; her loving husband, Crow, and their two beautiful children challenge her to be better every day. So when she hears a second woman has been stolen, she is determined to do something about it--starting with investigating the group of men working the pipeline construction just north of their homes. As Quill closes in on the truth about the missing women, someone else disappears. In her quest to find justice for all of the women of the reservation, she is confronted with the hard truths of their home and the people who purport to serve them. When will she stop losing neighbors, friends, family? As Quill puts everything on the line to make a difference, the novel asks searing questions about bystander culture, the reverberations of even one act of crime, and the long-lasting trauma of being considered invisible.

One woman's cross-country journey to explore the hold family history has on our lives, and the power of new stories to shape what lies ahead. In her mid-thirties and happily single, Karen Babine hitches up her tiny Scamp camper and sets out with her two unenthusiastic cats, Galway and Maeve, on a journey from her home in Minnesota to Nova Scotia to explore the place where her French-Acadian ancestors settled in North America some four centuries ago. As the miles roll by, she wonders: "Why do we carry this need to belong to an established history? What happens when that can't--or shouldn't--happen?" The road reveals more questions than answers about her history, identity, and belonging, about the responsibilities of stories and silence, about her life choices as a solo woman, and what it means to be driven by both a strong sense of kinship to a very close-knit family on one hand and a deep desire for independence on the other. Capturing the joy, freedom, and powerful pull of the open road, The Allure of Elsewhere is about the stories we're told, the stories we tell, and the way those stories make us who we are, often in surprising ways. Intimate, curious, and candid, written with wry wit and warmth, this is a courageous and inspiring memoir.

Raised by Wolves is a unique and vibrant gathering of poems from Graywolf Press's fifty years. The anthology is conceived as a community document: fifty Graywolf poets have selected fifty poems by Graywolf poets, offering insightful prose reflections on their selections. What arises is a choral arrangement of voices and lineages across decades, languages, styles, and divergences, inspiring a shared vision for the future. Included here are established and emerging poets, international poets and poets in translation, and many of the most significant poets of our time. There are extraordinary pairings: Tracy K. Smith on Linda Gregg; Vijay Seshadri on Tomas Tranströmer, translated by Robert Bly; Natalie Diaz on Mary Szybist; Diane Seuss on D. A. Powell; Elizabeth Alexander on Christopher Gilbert; Ilya Kaminsky on Vénus Khoury-Ghata, translated by Marilyn Hacker; Mai Der Vang on Larry Levis; Layli Long Soldier on Solmaz Sharif; Solmaz Sharif on Claudia Rankine. In these poets' championing of others, fascinating threads emerge: Stephanie Burt writes on Monica Youn, who selects Harryette Mullen, who writes on Liu Xiaobo, translated by Jeffrey Yang, who chooses Fanny Howe, who writes on Carl Phillips, who selects Danez Smith, who chooses Donika Kelly, who writes on Natasha Trethewey. With an introduction by Graywolf publisher Carmen Giménez, Raised by Wolves is an echoing outward of poetry's possibilities.